Despite its relentless need to be cool, perhaps this
irksome epic is most memorable for two offscreen controversies: the first was
when an image of Radcliffe clad in dressing-gown and novelty slippers went
viral, and punters thought it depicted the star having a boozy breakdown (it’s
actually a still from the production), while more recently Howden started a
weird online argument that suggested that film critics are bullies and
potential killers (or something). And, in the end, those events are actually
more interesting than this very film.
Considerably less successful than Howden’s first
outing (the comedic, heavy-metallic action horror Deathgasm), this has
lowly tech dude Miles living out a dull existence in what might be intended to
look like an American city but is quite obviously rainy old Auckland. Miles is
intimidated by his bastard boss, pines for his ex Nova (Natasha Liu Bordizzo),
and enjoys picking pointless fights on the internet (just like this one’s
director).
When he trolls the wrong guys, Miles is kidnapped by
Riktor (Irish actor Ned Dennehy, another Harry Potter refugee) and his
goons, has a pair of magically-reloading guns bolted bloodily to his hands, and
is forced to participate in an illegal but seriously popular online duel-to-the-death
game called ‘Skizm’. And he’s pitted against carry-over, mass-murdering
champion Nix (the Adelaide-born Samara Weaving, Hugo’s niece), who’s seen
shooting and skewering multitudes of extras in past massacres, showcasing
now-monotonously-cliché John–Wick-esque slo-mo.
Where do we start with all the other echoes,
influences and pilferings that make up this all-over-the-shop plot? There are
glimmers of the Crank movies in there, the whole
killing-for-a-viewing-audience thing is familiar from everything from The
Running Man to Series 7: The Contenders, and you’ll also detect
traces of Hardcore Henry, Battle Royale, The Matrix and,
although Daniel wants to escape everything he stands for, quick visual
references to Harry Potter too.
There’s also a slightly amateurish and tatty look to
many of the edges here, which director Howden attempts to disguise with reams
of humdrum flash and cybernetic nonsense, while Radcliffe tries hard to make
his Miles something more than a dull, whining jerk simply aching to get slain.
But there’s surely a built-in Millennial audience for this one who’ll simply adore all the dreary videogame violence, although they’ll have to consult an online dictionary to work out just what the Hell ‘Akimbo’ means. Control-Alt-Delete – quick!!!
Guns Akimbo (MA) is in cinemas now
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