It seems that Bier was all set to direct this herself,
with stars Julianne Moore and Diane Kruger, but somehow she and Kruger dropped
out, and Moore then got her husband Freundlich involved. And he tries awfully hard
to make it work.
Isabelle (Michelle Williams in a role once filled by
Mads Mikkelsen) is a co-founder of an orphanage in Kolkota, and early scenes
where we see her working with the children, meditating in the silence and
looking after a troubled kid named Jai (Vir Pachisia) are amongst the best and
most quietly moving here. She grows annoyed when informed that she must travel
to New York to meet a potential benefactor named Theresa Young (Moore), and
rightly angry that she must justify any sort of charitable donation.
When Isabel and the moneyed Theresa meet they click
despite the tension, and as luck would have it (of course) this happens a day
before the wedding of Theresa’s daughter Grace (Abby Quinn). On a whim Theresa
invites Isabel along, and naturally (as the trailer gives away, as usual) Isabel
arrives only to be confronted by Theresa’s artist husband Oscar Carlson (Billy
Crudup), a figure from her past who comes complete with a clutch of
uncomfortable questions.
The need to ensure that no one here is a villain is slightly undermined by the casting of Crudup, who never quite got over being labelled a ‘great actor’ in the 1990s and has now grown older and slimier, which is wrong for this part and makes us not like Oscar from the outset. Someone more amiable (if obvious and more expensive) like Matt Damon might have been a better, less grisly choice.
There’s also an intriguing undercurrent here about what exactly makes someone a ‘good person’. Isabel is the closest to such a thing, but she’s compensating for something; Theresa wants to buy her way into being thought of as such; and Oscar believes that he is and tells everyone all about it, and often. Despite a title that suggests another damn wedding movie, this is actually more concerned with family, and how they grow, change and adapt. Hopefully.
After The Wedding (M) is in cinemas now
Get the latest from The Adelaide Review in your inbox
Get the latest from The Adelaide Review in your inbox