A Greek white grape, assyrtiko, made headlines when it debuted in
the Clare Valley in 2014, and the Adelaide Hills are increasingly alive with
the Austrian import, grüner veltliner. Also lurking in our vineyards are other
lesser known interlopers – grapes from France and Georgia with names seldom
uttered in bottle shops.
Mark
Lloyd of Coriole Vineyards has form as an impresario of alternative grapes – 34
years ago, he was the first Australian vigneron to plant sangiovese.More
recently, he has introduced a white grape from southern France to the Coriole
line-up. Meet picpoul.
Lloyd
says most visitors to his McLaren Vale cellar door look blank or baffled when
they spot the name on the tasting list. Unless, that is, they come from the UK,
where in recent years picpoul has been plucked from comparative obscurity to
become one of the country’s best-known value-formoney wines.
Lloyd
first met picpoul in the glass more than a decade ago on its home ground.
Tagging along on a winery tour of the Languedoc region with Coriole’s Irish
distributor and a party of sommeliers, an unidentifi ed glass of white was put
in his hand. “It was a ‘wow’ moment,” he says.
Picpoul
is not a glamour grape, and part of Lloyd’s fondness stems from its underdog
status. “It was dirt cheap, and probably sneered at a bit by traditional French
wine-buyers,” he says. But in its traditional role as an accompaniment to fresh
local oysters, he says the pairing is truly memorable – “It has this great affinity
with shellfish and with oysters because of its high acid and its delicacy.”
Enthused
by its prospects, he imported cuttings from an English vine nursery and after
statutory quarantine (and DNA testing to make sure he had the right grape),
planted it in McLaren Vale in 2011, with a first vintage in 2014. After a
slowish start, it now occupies two hectares of vineyard. A high yielding, late-ripening
grape, picpoul copes well with hot summers.
“It
does well in our climate, and we keep it simple, delicate and low in alcohol,”
Lloyd says. “It’s really about the acidity, and it doesn’t have to make a grand
statement: it’s all about being with the food.”
South
from Coriole, down on the flat, Hugh Hamilton grows a vastly different if
similarly obscure variety: the Georgian grape saperavi. Starting with three
rows, Hamilton first planted the grape at the urging of visiting Georgian
winemaker Lado Uzunashvili in the 1990s, and has gradually worked his holding
up to about three hectares. Despite the disparity in terroir – saperavi is
grown on high, cool plateaus in its country of origin; Hamilton’s vines are at
sea level in a Mediterranean climate – the vines have flourished, although the
grapescan be fickle in hot conditions. “It can yield extremely well in one
year, and the next year there can be virtual crop wipe-out,” Hamilton says.
Saperavi
has one particularly unusual feature: it belongs to a small class of grapes
known as teinturiers, meaning that their flesh is coloured. Whereas most red
grapes have innards that are whitish or neutral, saperavi is a luscious purple
on the inside, and produces a highly dramatic sight at vintage.
“Some
years when you’re crushing it,the juice is as black as midnight; it’s so black
it’s blue,” Hamilton says.
Hamilton
uses the grape to make a full-bodied, full-flavoured wine, in a style he admits
is considerably more robust than its Georgian antecedents, although he does
point out that, historically, Georgian saperavi was often made as a sweet table
winefor its largely Russian market. The influence of Western European palate preferences
in the post-communist market have since seen the wine godry.
“The
tannins aren’t too rustic or raspy, they are quite velvety,” Hamilton says. “We
make it as an upmarket varietal, and we also use it in blends – it combines really
well with shiraz.”
Hamilton
makes two saperavis, the Black Ops ($32) and the Oddball ($70), and the wine
has gained a strong following. Saperavi’s most famous fan, however, does not
feature in the marketing – the wine was reportedly the favourite tipple of one
Josef Stalin.
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