Drawn from Sarfraz Manzoor’s autobiography Greetings From Bury Park: Race, Religion And Rock ‘N’ Roll, it’s an audience-pleaser that would never have happened if Bruce Springsteen hadn’t allowed a huge bunch of his songs to be used. But, of course, he read the book, knew Chadha’s work (such as Bend It Like Beckham), and was surely flattered by the suggestion that he’s “The Boss of us all”.
Back in 1987,
British-Pakistani Muslim teenager Javed Khan (Viveik Kalra) is having a hard
time in Luton, where he clashes with his proud dad, Malik (Kulvinder Ghir),
writes depressing music for the band he’s in with pal Matt (Dean-Charles
Chapman), and deals with often dangerous racism. When he befriends cool Sikh
Roops (Aaron Phagura) at his new school, he’s introduced to Springsteen’s music
and nothing is ever quite the same again, as Dancing In The Dark and many other songs
have an immediate and liberating effect.
Javed romances punky
Eliza (Nell Williams, who should have had more to do) and starts secretly
writing for the local newspaper, while Malik grows increasingly critical of his
son and his Springsteen obsession, as we build to several flashpoints that
sometimes feel forced and improbable. But the music just keeps on coming, with
some Pet Shop Boys, Level 42, A-ha, Tiffany and (surprisingly) Mental As
Anything alongside wall-to-wall Bruce.
They’re all here: The Promised
Land, The River, Thunder Road, Streets Of Fire, Because The Night (his version rather
than Patti Smith’s), his famously verbose titular tune (not Manfred Mann’s),
and Born To Run a couple of times
(because you can never overdo it).
And, really, what more do you need? He’s The Boss.
Blinded By The Light (M) is in cinemas now
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