Working well opposite seasoned pro and onscreen dad Wayne Blair (also a director of films including Top End Wedding and The Sapphires), Waites holds the film together and brings a lot of unpolished honesty to the role of nine year old Gem, and makes up for some of the more stilted supporting players.
In the outback town of Brewarinna (500 miles northwest of Sydney) Gem is seen happily at the side of her Mum Darlene (Maurial Spearm) during a bushwalk. When Darlene suddenly dies, her family is left to mourn and try to heal. Gem’s Dad Jay Jay (Blair) attempts to keep everyone together with help from grandma Daphne (Mary Waites), but Gem’s grief alienates her from them and her older sister Valerie (Letisha Boney) and brother Ecka (Rodney McHughes).
Gem becomes concerned with the plight of an emu (her
mother’s traditional totem animal) and starts stealing food to feed it, which
leads to a series of misunderstandings involving well-intentioned local cop
Stan (Rob Carlton) and social worker Heidi (Georgia Blizzard, good as a
stereotypical character). Her talent for running (and Rhae-Kye can certainly
move) links her to the beast, but also demonstrates her need to escape from the
pain. But where can she go? Obviously Brewarinna is in the middle of nowhere.
Resisting the urge to make grand pronouncements about Indigenous
themes, Thomas instead presents us with what is essentially a study of loss
from a child’s melancholy perspective, with the sociopolitical edges simmering
quietly in the background.
And, it must be said, perhaps the most serious problem
here is the titular critter itself, which required four ‘emu wranglers’ (one
was Thomas herself), yet nevertheless seems so often disconnected from the
actors. Like the pelicans in the recent remake of Storm Boy, this big
bird is hardly cute, and when we see it up close, those weird eyes suggest that
it’s furious or deranged.
Still, Gem needs it as much as it needs her, and
without the thing there wouldn’t be a movie.
Emu Runner (PG) is in cinemas now
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