Jodie Irvine’s one-woman play is told
through five parties, each marking a significant milestone as Bri deals with
the aftermath of an emotionally abusive relationship. There is awkward
flirting, binge drinking, D&M’s in the kitchen and dorky dancing.
Irvine brings great energy to this
performance. There is a definite nod to Fleabag
in its original form as a one-woman play as Irvine brings both sides of
cringe-worthy and heartfelt conversations alike to life. Particular characters
as marked by accent changes that don’t always follow through to the end of the
scene; greater movement and expression would take away the need for some of
this work and maintain consistency throughout the performance.
The use of minimal props to their full
effect is clever and charming. The childlike manner of Irvine playing with
Kmart’s party supply section adds colour without detracting from her connection
with the audience.
Sadly though there are distractions beyond
the stage that are difficult to push through at times: music playing from other
tents close by, props hung and stacked visibly side of stage, and the stage
curtain that never quite closes showing a glimpse of the mess behind the
scenes.
The greatest success of Gobby is the text itself. Irvine has
written a gorgeous work that is perfectly crafted for a festival hour. Each act
is distinct but gently brings together the central narrative of
self-acceptance. There is a real poignancy on show here without ever becoming
overwhelming for survivors or abrasive for the unsuspecting.
At the conclusion of the performance an audience member is heard saying ‘I just want to stay and help her clean up!’ In many ways this captures the spirit of the room: the audience have drawn close to Bri as cups have been tipped over and streamers unraveled. She now knows which mess is her responsibility to clean and what to leave for others to mull over. The next party doesn’t seem far away.
Gobby was performed at The Bally at Gluttony on Thursday 5 March
Until 15 March
Fringe Review:
Gobby
Kylie Maslen is a writer and critic from Kaurna/Adelaide, and the author of Show Me Where it Hurts: Living with Invisible Illness (Text Publishing).
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