Issue #484 of The Adelaide Review is on the streets now, featuring a rich spread of arts, politics, food and culture from around South Australia.
This month explores SA Pathology’s great escape from privatisation, the limitations of the government’s COVIDSafe app, director Madeleine Parry’s brush with Hollywood, and the new novel imagining Hillay Clinton’s life without Bill.
Plus, Jane Llewellyn on painter Andrew Baines’ surreal realism, SALA’s post-COVID future, and how actor Emma Beech became the local face of a pandemic.